A proposal made to the
British Association of Group Psychotherapists
THE CINEMA AUDIENCE
GROUP
Day in
day out, throughout the world, gatherings of people, often large in number and
who are on the whole strangers to each other, come together in purpose built
spaces guided by a universally
recognisable set of traditions to participate in a cultural ritual specific
to this century. Cinema audiences come together at a particular point in time
on the basis of a shared wish to see a particular film. Membership of a cinema
audience is for many people the only regular experience of participation in a
large group of strangers. The cinema audience can be thought of as the
archetypal form of the large group in the late twentieth century.
The
BAGP is currently thinking about launching a project called The Cinema
Audience Group, the idea of which is the application of a group analytic
approach to the actual experience of going to the movies. It would entail a
movie followed by a large group in the same auditorium. Naturally, as group
psychotherapists, the focus of the project would be the group and what it is
like to be together in the cinema with the lights on and the movie over.
Some
time ago, single and alone, I went to see Bertolucci's The Last Emperor
in Dublin and was staggered and profoundly irritated by the amount of noise
made by the audience throughout the film. As far as I could make out it was
mostly people talking about the film, asking each other questions, making
comments, explaining things, and so on. I later explained my feelings as having
arisen out of a clash of cultural norms and expectations with regard to the
behaviour of the cinema audience group. The hubbub of this packed Dublin
audience intruded upon my experience of the movie in a way that was unfamiliar
- London audiences are so much quieter and reserved. However, thinking back I
can now see extra layers to my emotions that evening. I was alone, adrift in
this great unknown city, wanting contact with those around me but unable to
make contact because of the battlememnts I had in place defending against my
fears of the city. And of course the film greatly resonated with how I felt:
lost in my lonely walled palace, surrounded by the hostile masses, I needed
their compliance, to bow down and respect my need for silence, but instead they
were noisy and threatening, reminding me that I was in fact powerless and,
worst of all, on my own, unlike those around me.
The
Cinema Audience Group would be the bringing together of two distinctive forms
of group, the cinema audience and the group analytic large group, for the
purpose of reflecting upon ourselves in
relation to the experience of going to the movies. Participants are provided
with a space in which they might begin to deepen their understanding of what
has brought them to the cinema and what it is like for them when they are
there.
It is
hoped that the Cinema Audience Group will soon be on at a cinema near you.
Peter
Zelaskowski
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ZELASKOWSKI